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“All my silver is worked by hand. This vessel-shaped bowl isn’t soldered, it is hammered, and the silver plate has the same thickness throughout. That is perfection, that is the limit one can not exceed.” Wiwen Nilsson
Wiwen Nilsson’s creative output was multidisciplinary and multifaceted. His artistic and functional designs – consistent with elegant, geometrical shapes – have become synonymous with his name. Wiwen Nilsson’s three basic conditions for his creative work were the material, the technique and the dynamism. The function was to be an integral part of the whole. Though Wiwen Nilsson’s creations have a strikingly simple structure, the mathematical precision and complicated treatments required great skill to execute.
Wiwen Nilsson held Romanesque and Byzantine artists in high regard, extolling the era’s “holy trinity”; function, material and technique. Drawing inspiration from mediaeval art and philosophy, he melded these sensibilities with his trademark dynamic cubism. In his eyes, excessive decoration threatened the essence of the material. He sought to create a sense of tranquillity in his timeless forms, coupled with balance, rhythm, and proportion.
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“The ‘geometric and constructive’ form-values have the greatest possibility of concretising what Wiwen Nilsson means by rhythm. Associated with his uncompromising sense of proportion is the far-reaching precision of his technique. ... The material and the purity of his forms create a harmony that is as simple as it is expressive.” J.P. Hodin
Wiwen Nilsson’s creative output was multidisciplinary and multifaceted. His artistic and functional designs – consistent with elegant, geometrical shapes – have become synonymous with his name. Wiwen Nilsson’s three foundational components for his craft were the material, the technique and the dynamism. The function was to be an integral part of the whole work.
Though Wiwen Nilsson’s creations have a strikingly simple structure, the mathematical precision and complicated treatments involved required great skill. Wiwen Nilsson held Romanesque and Byzantine artists in high regard, praising the era’s “holy trinity” of function, material and technique. Drawing inspiration from Medieval art and philosophy, he melded these values with his trademark dynamic cubism. In his eyes, excessive decoration threatened the essence of the material. He sought to create a sense of calm in his forms, emphasising balance, rhythm, and proportion.
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Goblet
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Tea set
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Vase
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Candlesticks
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Serving bell
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Flatware set
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Champagne goblet
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Coffee set
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Vase
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Candlesticks
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Money clip holder
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Oyster fork
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Candlesticks
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Pocket clock holder
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Punch goblets
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Sardine fork
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Tableware set
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Vase
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Candlestick
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GAN's personal chalice
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Gavel
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Potato fork
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Wine jug
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Candlesticks
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Cocktail shaker
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Fire poker
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Grape scissors
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Serving plate
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Candlesticks
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Cocktail set
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Gavel
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Serving fork
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Tray
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Vase
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Chain of office
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Ham skewer
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Vase
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Bowl
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Cigarette holder
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Grapefruit spoon
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Set of vases
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The Kings bowl
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Bowl
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Letter knife
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Lobster fork
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Bowl
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Letter knife
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Serving spade
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All-purpose fork
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Carafe
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Box
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Serving fork
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Butter knife and stand
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Gripper
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Flatware set
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Box
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Set of vases
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